Raptitude.com

I can’t believe this, but I did double-check the math: Raptitude first appeared on the internet ten years ago today.

That day it had one reader: my mom. But soon there was a little gang of eight or nine regulars. Then there were enough to fill a schoolbus. Then a plane, a concert hall, an arena, and a stadium.

There’s so much I want to say about this last decade—reflections, lessons learned, plans for the future—but I’ll do all that later. Today I just want to take a little tour of where we’ve been together.

Here are the biggest articles from each of Raptitude’s first ten years, in terms of reach and popularity. One of them is probably the first one you ever read.

At the height of Summer, I try to go for a short run after I’ve done some writing but before it gets too hot, which is usually about 11am.

The most uncomfortable part of the run comes at its very end, just after I step inside my front door, into the small, poorly ventilated foyer between the door and the stairs to my second-floor unit. Nothing happens in that space except the putting on and taking off of shoes.

As soon as I step into this hot, stagnant space, the intensity of the whole run seems to congeal in my body, kicking on all the recovery systems. The heart is still thumping, breathing still heavy, and the sweat glands open up like faucets.

It’s gross and unpleasant. At that moment, there’s nothing I want more than to kick off my shoes, strip off my running clothes, and go sit in front of a fan with a glass of ice water. (I’m a reluctant athlete, descended from cold-climate people.)

In his one of his many excellent columns, Oliver Burkeman offers a counter-intuitive strategy for those who have trouble sleeping: tell yourself it’s not a big deal. You’ll fall asleep when you fall asleep.

The point is that telling ourselves we must get to sleep right away—and that grave problems will arise if we don’t—is probably the number one reason we can’t sleep. That doesn’t mean sleep isn’t important, or that sleep problems are never serious, only that the more vehemently we insist we must already be sleeping, the less sleep we will ultimately get.

This strategy acknowledges a subtle but important reality about the problem: we can’t directly control when we fall asleep. We really want that control, however, and we can make the problem much worse by grasping too stridently at it. And whether we do that is something we can control.

With practice, anyway.

We can make use of a similarly counter-intuitive approach for becoming generally calmer people in waking life.

A friend told me a touching story about his high-school classmate—a story that I now believe happens, in some form, to almost everybody. It happened to me, and probably to you.

The classmate was known as a gifted athlete and a bad student, and acknowledged it himself. He played wide receiver on the football team, but he had a maddening habit of lining up on the wrong side, and cutting right when he was supposed to cut left. The coach kept him on the team because he was fast and played hard, and his route-running mistakes could be corrected.

But the mistakes continued, and the coach quickly surmised that something else was going on. He eventually had the student visit a psychologist, and it turned out he was inverting the pass patterns because he was dyslexic.

This explained his trouble in the classroom too. He wasn’t a bad student, he just had no idea he was experiencing schoolwork so differently than everyone else. Once he was assessed, he (and his teachers) could finally make sure he had the extra time he needed to do his assignments.

You can find countless similar stories of kids who were told for years that they weren’t paying attention or weren’t applying themselves, when they actually just needed glasses and couldn’t read the blackboard. What a world-shifting discovery that must be for each of those kids, as well as for their parents and teachers.

I now wonder if most of us are, in some respect, the kid who needs glasses but doesn’t know it. It’s a phenomenon common to so many life stories: struggling desperately with something because you’re unaware that you’re experiencing it differently than everyone around you.

Towards the end of last year I proposed an idea that unexpectedly caught fire: what if, for a whole year, you stopped acquiring new things or taking on new pursuits. Instead, you return to abandoned projects, stalled hobbies, unread books and other neglected intentions, and go deeper with them than you ever have before.

The “Depth Year” was supposed to be hypothetical—a reflection on how our consumer reflexes tend to spread our aspirations too thin. Because it’s so easy to acquire new pursuits, we tend to begin what are actually enormous, lifelong projects (such as drawing, or language-learning) too often, and abandon them too easily.

This chronic lack of follow-through makes us feel bad, but worse than that, we never actually reach the level of fulfillment we believed we would when we first bought the guitar or the drawing pencils. Instead we end up on a kind of novelty treadmill—before things click, we’ve moved on to the exciting beginning stages of something new.

I don’t know about you, but whenever I’m a guest at a holiday get-together, once dinner is over and we begin to appreciate the scale of the impending cleanup, I’m always relieved to be given a clear job to do: collect all the wine glasses, wipe down the table, corral the recyclables.

Even scrubbing a stubborn roasting pan is a welcome assignment, at least partly because it relieves you from the alternative, which is to sit there feeling unhelpful while your host does everything. But even aside from that, there’s a certain pleasure to be found in the doing of a task, if you’re not determined to hate it.

Yet in other contexts, similarly basic tasks can seem annoying and unpleasant. Sometimes, out of protest, I leave a stack of stray books on the bottom stair for three days, or a basket of laundered socks unfolded until my sock drawer runs low.

Why not take the same pleasure in those little jobs? It’s all context I suppose—if life’s menial tasks could somehow all be part of a dinner party cleanup effort, every day would be a chain of small pleasures.

The habit of taking even mild pleasure in such tasks would be life-changing, because most of what we do during a typical day isn’t done for enjoyment’s sake: laundry, exercise, office work, dishes, dusting. We do these things because they make life better in some less immediate sense; they’re rewarding, but not necessarily as you do them.

How we spend our days is how we spend our lives, as the adage goes, and that means the majority of our lives are spent doing not-especially-enjoyable maintenance work (cleaning, earning, fixing, organizing) in order to support  the especially-enjoyable stuff (leisure time, meals, get-togethers, creative endeavors and personal projects) we do with the remaining minority of our time.

We all want to enjoy life, and not just a fraction of it. But if you Google “How to enjoy life,” most of the images you’ll see are symbols of those exceptional, peak-enjoyment activities: hammocks, beaches, candlelit dinners, and scenic hikes.

Clearly the vision we have of enjoying life has nothing to do with the way we actually spend most of it: doing necessary but unremarkable things in front of desks, stoves, laundry baskets, sinks, and grocery store shelves. Sometimes this pile of necessary but unremarkable activities seems so great that there’s little time left for the enjoyment-and-relaxation type activities.  Read More

A few nights ago I saw Jack White in concert. It was a wonderful night, and a big part of that was due to a new rule he has imposed on all his tour dates: no phones.

When you arrive, you have to put your phone into a neoprene pouch, supplied by a company called Yondr, which they lock and give back to you. If you want to use your phone during the show, you can go into the concourse and unlock it by touching it to one of several unlocking bases. The concert area itself remains screen-free.

The effect was immediately noticeable upon entering the concert bowl. Aside from the time-travel-like strangeness of seeing a crowd devoid of blue screens, there was a palpable sense of engagement, as though—and it sounds so strange to say it—everyone came just so they could be there.

People were visibly enjoying the opening band, at least in part because that band no longer compete with the entire internet for the crowd’s attention. Even the crowd’s milling around and chatting between acts was so much more lively. People were either talking to their neighbors, or taking in the room. And everyone taking in the room was taking in the same room. It felt great.  Read More

From my teens through my early thirties, I spent a lot of family dinners trying to pretend I felt okay.

It’s not that my family made me miserable, not at all. But throughout those years I just felt inexplicably bad some days, and I couldn’t duck out on plans with my family like I could with my friends, at least not without arousing concern.

This feeling was characterized by pit in the stomach, elevated self-consciousness, and a strong urge to go home and get away from people. Not exactly despair, but a version the sort of wounded feeling you might get after giving a bad speech, or getting reprimanded by your boss.

Looking back, I can’t believe how often I felt like that. Each time, all I knew is that I needed to either act normal, or provide an explanation for my low-spirited state (I stayed up late; I didn’t drink enough water today).  Read More

In September, for the first time in nine years, I took a month off writing. I spent half of it traveling abroad, and the other half completely riveted by a particular story—a true story, one which I had always intended to get to but hadn’t made time for.

This kind of story isn’t consumed in the usual linear manner of fictional novels and shows. Instead, it’s a vast network of interconnecting characters and events, whose facts you establish in the same manner a detective reconstructs a crime.

At first you can see what happens only in haphazard, singular moments, as if you’re looking through keyholes at scenes without context. But as you peek in on the proceedings at different times, in different places, plotlines and personalities emerge, and those isolated scenes gradually connect in unexpected and poignant ways.

Also, I am in the story. And you are too.

Those of you who share my new hobby will have already guessed that the story I’m referring to is my family history. I’m aware of how dull that sounds.

It’s not, and I will do my best to prove that. But in the mean time you should know that it’s your family’s history too. That’s how genealogy works—there is really only one family history. One vast story. If you trace the action back far enough, all the characters and plotlines connect.  Read More